Always was, always will be Aboriginal land.

 

The University of Sydney Library acknowledges that our buildings, collections, and practices exist on unceded Aboriginal lands. We recognise the diversity and knowledges of the Aboriginal and Torres Strait Islander staff and students across all the lands the University stands on, and respect the ongoing connection Aboriginal people have to these lands, their cultural practices, knowledge systems and histories. We pay our respects to their Elders, past and present, who have handed down custodianship to each generation for more than 60,000 years. 

 

Money, J. (2021). Yilabara (Now). Filmed on Gadigal Country. Commissioned by the University of Sydney Library

First Nations Hub

Hardy Wilson’s Old Colonial Architecture 1924-2024 exhibition

This new exhibition marks the 100th anniversary of Hardy Wilson’s influential work, considered by many to be the foundation of historical scholarship on architecture in Australia.
Hardy Wilson exhibition opening event Hardy Wilson exhibition opening event

Hardy Wilson exhibition opening event

Published in 1924, Hardy Wilson’s book Old Colonial Architecture in New South Wales and Tasmania was the first major publication dedicated to the documentation and conservation of Australian buildings. 

William Hardy Wilson was born at Campbelltown, in 1881, the great grandson of early NSW colonist Caleb Wilson. He attended Newington College, where he captained the First XV Rugby team and was awarded the School Drawing Prize. He went on to study at the Sydney Technical College. 

After early work with architects Kent & Budden, Wilson embarked on a long period abroad in 1905 during which he developed his artistic technique. He travelled extensively in Italy and the United States, and when he returned in Sydney in 1910, he was primed to embark on his architectural career proper. Wilson completed a string of houses in Sydney over the coming years, including Merion, for artist Lionel Lindsay, in Wahroonga (1911); Eryldene, also on the upper North Shore in Gordon for the linguist, literary scholar and camelia enthusiast E.B. Waterhouse (1913); and his own house, Purulia, Wahroonga (1916).

In 1912, Wilson began a decade-long project to record the early colonial architecture of Australia, which would eventually culminate in the publication of Old Colonial Architecture in New South Wales and Tasmania in 1924. 

100 years on, this exhibition draws attention to the book’s creation, examines its enduring presence and influence in Australian architecture, and contextualises it in Wilson’s biography and wider body of published work. 

In doing so the exhibition highlights Wilson’s artistic ability and his catalytic role in architectural publishing in Australia. It also raises questions about how we evaluate his work considering his outmoded and odious social views, which became apparent in his later writing. From the historically transformed vantage point of the 21st century, the exhibition asks visitors to reconsider Wilson’s legacy. Why has his romantic and peaceable vision of the architecture of the early colonies proven so durable and natural to his readers and admirers? 

This exhibition was curated by Associate Professor Cameron Logan (Sydney School of Architecture, Design and Planning) and Hector Abrahams and Olivia Salkeld (Hector Abrahams Architects) in collaboration with Rare Books and Special Collections.

Items from the Library’s Rare Books and Special Collections are featured, alongside items generously lent by Hector Abrahams, Zeny Edwards, Glenn Harper, Geoff and Melanie Lovell, Julie Cracknell and Peter Lonergan, Dr. Clive Lucas OBE, the National Trust of Australia (NSW), and the Schaeffer Fine Arts Library.

This exhibition was launched on Thursday 22 August and will be on display on level 2 of Fisher Library until the end of semester 1, 2025.